<p><i>The Foreigner</i> (1909) tells the story of Kalman Kalmar, a young Ukrainian immigrant working in rural Saskatchewan. It addresses the themes of male maturation, cultural assimilation, and a form of “muscular Christianity” recurring in Connor’s popular Western tales. Daniel Coleman’s afterword considers the text’s departure from Connor’s established fiction formulas and provides a unique framework for understanding its depiction of difference.</p>