Alastair Luce is a dreamer, one of three who tell this tale. A Canadian expat in the 1950s, he lives in a New York City suburb with his wife, Nora, a passionate American who misses the excitement of wartime life and finds an outlet — and a lover — during the Red scare. Alastair's an artist, a quiet man who paints houses for a living, fears atomic holocaust, drinks too much and worries about his suffering child, Grace. Just before the accident that kills his daughter's best friend Todd, he offers a ride to their teenage neighbour, Claire Bernard. She continues the story as a witness to tragedy, a wry observer of suburban mores and a compassionate friend of Alastair, whose talent and politics she'd long admired. Yet in the era of Vietnam, she's not prepared for his love or his anguish as she marries and leaves for Canada. In Toronto, it's Alastair's exiled daughter Grace who speaks, giving voice to her fury, an artist who works to “burn” the city down with brilliant colour, who resents Claire for hurting her dad, and still grieves the loss of young Todd. Yet Grace, Claire and Alastair are bound together by their history, and a crisis draws their painful stories to a climax. It's then that Grace ventures homeward for the first time, into a startling vision of the unknown.